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I have advanced

Just as the magazine No 112 has posted an article to quad page extolling the Fair of FAIM is welcome also publish this article or another of similar characteristics you get written and signed by a number of artists to give know the true face of what was fair FAIM should rather be called the Fiasco of Faim and that it does not comply with any of the premises from which he had spoken when they put so nice to us to participate in it : It was not visited by any gallery in Madrid that none of them knew of their existence. Not visited by any citizen of Madrid who was not relative or friend of one of the exhibiting artists. did not know its existence anywhere in Madrid. It did not sell anything beyond 70% of sales that lied and said it had sold in previous years. In short no, no, not satisfied none of the bystanders were loaded with hope and expectations and as we are a large number of artists and collaborating artists that we have been deceived, ignored, duped and cheated in this fair, we do not the management of the fair this year fool get new artists and make them look like we have seen we MEROS PAGANINIS swelling current account who organized it. Start

my writing that I have advanced and clarified this to mean that if I had not seen the magazine article where he praises I repeat this show I would not now clarifying the truth that happened there and let record a bit of what I and my colleagues live from outside than the inside would probably have more dark things that ask for explanations, so I do not want to extend publiquéis just thankful that the letter to at least the artists who read this OUR FAIM magazine know what it is. Greetings

Maica Alonso

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to mourn ... Complaints

Well, say here. To mourn the caurtito.

Now we have to build something for later "who are encouraged to organize an exhibition? Someone who takes the trouble to contact the place .. means, take an account of what comes out .. is divided between those who're interested (is paid to organizing the effort ..) and is ready .. probably paying less than what was paid in FAIM.

And we stop the nonsense of not inviting galleries .. going all the galleries to see what is being done. We are exposed, they look, buy ...

We do the same date as the FAIM 2007. I think something like that if I could draw attention to what you are doing this lady. Well ..

I do want the harmonious .. here in Montevideo but I think it is good that there armen in Madrid.

a hug from this hot Montevideo

Damian Ibarguren

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Coral Monleon I

My complaint about the Fair of FAIM is total. There was nothing that was promised. Neither advertising or contacts that could also supposed to have. Fair Access to catastrophic, the people themselves did not arrive in Madrid because it was all in pieces ivan changing daily entries.

We cheated, with high-grade joke as we never to go to another trying to get anyone else to happen as well, also knew there was a grant and deny the fair director.

high prices and if you've gone above and know how it works total abuse of shame.

Well I think I could fill a whole sheet with complaints but I think that Iran and all other things other than putting my so that together we will go slowly putting together a good complaint

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Thanks

I Marichu sustaeta a painter who has twice participated in FAIM and all with great enthusiasm.

not have treated us very sensilbilidad to say.

We as people deserve at least a greeting.

I'm not angry. I've learned a lesson and I have to say THANK YOU. This is a word I like

Please see and not to fall into temptation to participate in places where we just want to be pure matter.

Thanks for having seen and have felt. Thanks

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return to business FAIM

CLARIFICATION

FAIM 7 EDITION 2006:

Price display: € 1,900

= 1 Stand 2 panels consisting of 3 x 3'66 meters each.
€ 1,100 = 1 3 x 3'66 panel meters.


was decided to hire the "STAND?, Not the panel, so as not to share the work
or mixed with the other participants.

When it comes time to hang the work in the "STAND?, I suggest
two trivial remarks: 1 ª. The magnitude of 3'66 meters would be the height
panels STAND "?, So that the width of each of them would
3 meters, which at no time was reported to
clarity in the recruitment of "STAND? (For everyone knows that the best height
to see a plastic work is
up to view, ie 3'66 meters) As I said, the width of each panel
be 3 meters, what would be a "STAND?
6-feet wide, and not 7'32 meters (significant difference). AND 2.
In the extension of my "STAND?, And without interruption, the work of another artist
.

I think we all understand that installation stand by itself and closed
where present, and where the tenant (as the Royal English Academy
: lessee. Comes to rent. Lease, transfer or purchase price
enjoyment or use of things temporal ,
works or services.) Ergo, if he "acquired
time enjoyment or use temporary things," my decision is to exhibit at the booth
the work that interests me, not that the " address? Event
interested in putting my hand, without a physical separation
check the "border" between stands, and therefore seems to come
the same exhibitor. If I'm wrong, please clarify or comment
respectable. (I recommend a visit
any fair or market, to see if the various exhibitors share
wall as "friendly.")

check my documents to see if they had hired a "STAND? And to
my surprise it was. I had rented a FULL STAND, NOT STAND A SHARED
.

Anyway, I decide not to argue, and hang the work on my "STAND?.

the fair opens, and the area we do not appear
or flies. According to later comments, he even served a
"cocktail? in that bar, cafe and kiosk ... I guess Ms.
director and his acolytes would give a good account, because in our area, where we had the "
STAND?, He shared booth and I said, do not we learn anything
.

During the second day following the absence of the public is the dominant trend
. Commenting

with fellow exhibitors who had been reviewing
newspapers, magazines, television and radio programs, etc.,
perceive that this promotion is assured us that he would get
the fair had been nil. Mrs. director and his acolytes had not lifted a finger
in this promotion, promotion we had paid between
all exhibitors for it go ahead. Well, maybe not all
. Some ...

Later, upon receiving the catalog commemorating the event, I feel that
the show has received several grants and subsidies from
different stakeholders, institutions and companies. Grants and subsidies
I do not know where to have ended, or whose hands
... Only one issue that makes me uneasy, and is whether Ms. director and his acolytes
were aware of the existence of these grants and subsidies


... Ultimately, I've been cheated, I have been fooled, I have
none. After the investment to participate in FAIM
7 th edition, this has not been reflected in something as basic and fundamental
as promoting it, I suspect was the work of Ms.
. director (who, incidentally, I know) and his acolytes.
Characters who have not bothered to carry out the task
advertising, to inform the media, newspapers,
magazines, television, etc. Of course, all this entail costs, costs that diminish the income
Mrs. director and his acolytes.

Regards, José Ricós

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ENRIQUETA

Hi Harriet, that's fine to make public the views of FAIM, personnel mine is that the show did not meet what he had promised in advertising is no longer is greater or lesser number of sales, but its significance was nil, the capacity of visitors was conspicuous by his absence, the broadcast media or other means exist, in order to aware of what had happened in the past, it had no believe that this time was different that's the idea that was sold with the change in the direction dome, where here it seems the only thing that prevails is the director's financial interest that the price increase more INRI space contraprestaión no return, as an artist I will not participate in this fair. Greetings



Carmen

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A LETTER TO THE EDITOR

Dear Carlos, La Faim fair has been a disaster for many reasons, the artists have been cheated, expensive stands, no promotion, a disaster in the organization, the director said one thing and then did another, disrespected the artists received grants and denied it all the time, the lack of publicity meant that there was no crowd, among many other things that made the failure of this show. Demonstrated only want once again endorsed the economic, are being written signatures by the Community of Madrid and the Ministry of Culture to update them in such a scam, there are those who said to require an audit of accounts. Well I will forward one of the forums because we are not willing to return another year to pass such a scam, and play with money from the artists and the work of the employees where there are professionals who have put their good work and collaboration, enough effort to go ahead this fair. I thought of this as others because the idea of \u200b\u200b"independence" is very good, but the problem is the lack of professionalism of the fair and personalism Principal and their ineptitude, and no self-critical operation. I wonder if something could be named in arteinformado to avoid these things, plus trying to be part of many artists to send it to press and media, and tell me if you can give something of what happened. A big hug: Enriqueta

Lueje

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ARTEINFORMADO

Marta, the director of the Fair Faim



only wants to live off the labor of employees, the money from the artists, and grant agencies. '

private and public, of course for not spending more than herself. Communicate and report

official bodies, and demand accountability, to disseminate the problem of those affected by this show, to the media by publicizing the problem and asked to repair the damage done by the art group director Marta Lueje.

positive thing of all is the union of opinions about the problem and artists, who has been scorned his work, effort, money and time, and especially morally, because this director has proven his lack of ethical sensitivity and their lack of respect for the art group, contrary to what anuncia.El biggest problem with this woman, is lying about there being no subsidy, failing which announces , Misleading advertising, presence of Aute, ice sculptures, and a lot of failure in the contract, failure to provide some services where these are paid by the artists. perhaps as consumers would have the right, and that the director could get repaired the damage to artists on all economic, that is enough, it would be right, and justice on our side. Raul Belinchon Hueso

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HOMELESSNESS

's not my style to make a harsh criticism to people, but if I dare make a FAIM
fair. It is the second year to participate in such
fair and the two years I have suffered the same feeling, a feeling of helplessness
,
of loneliness, a great emptiness, there was not enough visitors so I can justify my prencia
ultimately my dreams, my work and what approaches
saddest my money, all these mistakes are
could have avoided a good advertising campaign, more information for visitors, not
thinking can make a fair itself, like it or not like, the show's
up artists, and we should be us the great benefit
and no losers, ultimately, real victims.
I sincerely hope that this show is so necessary for us
artistas , de una vez por todas séa capaz de despertar en el mundo
del arte , el interé
y entusiasmo para convertirla en ARCO , pero independiente, podría
seguir sacando a la luz algunanas críticas más , pero mis compañeros y
compañeras ya han aportado las suficientes para que la dirección de FAIM
, las considere y haga un cambio de rumbo y conviertan la feria en un
evento sin precedente .. Fermin de Bedoya .

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> Hola Fermin, ¿Para que quieres mantener una feria desde donde , durante
> siete años, mantiene Marta Lueje una misma conducta repetida, con
> consecuencias parecidas año, tras año,? Lo que si tenemos que plantearnos
> los artistas , a través de toda esta información y protesta, que yo no creo
> , y a la vista está , que esta señora cambie, pero yo si que propongo, ya
> que a los artistas independientes, la idea de la independencia es buena
> idea, si queremos tener una feria así intentar sacar conclusiones y
> alternativas.
> Mi idea sería intentar ¿Que vale el espacio de esta Feria , 8
> millones o, nueve? Esto está pagado con 24 stands, a lo que voy, ¿Porqué no
> nos proponemos los artistas pagar esta feria nosotros mismos y sacarla
> next? No need to Marta Lueje or anyone like that, we can be
> self-managed artists, we can rent space in the house of
> Field, or in the Crystal Palace, we can create a partnership that enables
> take this project forward, a kind of cooperative of artists,
> but I honestly think that someone with a good group responsible for
> out about all these things, could carry out the idea of \u200b\u200ba
> independent fair, Marta to continue with it. Is there no parallel fairs
> Arco? as Arrow, ArtMadrid?. Then we mount our own and we will
> learn what things to do, which is required, it's worth, and I think
> should forget that it exists. Fermin. This lady fair,
> is dead, the future is black, but to survive, has a serious
> chronic disease caused by a tumor that is Marta Lueje. Hard
> trace, and we're proving that he can not organize or management know,
> judging by all the result, because all other people ride it and
> that, I do not think and spend after all
effort to> bring this proposal to government agencies and the media both
> mess and abuse, not a minute more to this show or this director.
> Air new is what is needed. When someone does not do things right,
> should leave the position held, I think seven years is too
> opportunities. but you can try to mount an independent fair
> carried by a representation of artists, independent, controlled by
> the collective of artists, and we must learn that you need, no more.
> Hugs, and Enriqueta palante

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calling my FAIM

For an artist, his greatest difficulty lies in how to present his work. If the distribution and promotion is vital At any product, when this is cultural, art, theater, poetry, film, etc.. it is much more and in a special way

The artists to exhibit in private galleries to pay rent, advance money or share a utopian high percentage of sales.

The Artist, creative, besides being a backbone of the country's culture, regardless of their level or is treated as if it will raise xampiñones hows, and must pay for all or cease to exist.

The only decent alternative for our group is that public institutions subsidize ever trade fairs, exhibitions, intercanviador, etc. in the same way that subsidize film, theater, museums, issues, etc. Quando

this happens, at fairs are always spaces dedicated to galleries and they still charge astronomical artists who choose to represent. Finally a

Independent Art Fair for the exclusive promotion of artists, FAIM.

If this show was subsidized, charging € 1900 for three panel meter is a real ass, but, as is the only one of these characteristics and public insurance, contacts, promotion, distribution, etc catalogs. one ends up taking the proposal.

I presented my work in FAIM 2006 with the same result as if I had hung in the hallway of my house to coincide with a meeting crony, but infinitely more expensive. Travel, transportation, insurance, hotel, meals, and, of course, paying thousands of euros rigorous total nothing of the feeling that we were doing all duped unwary.

should know that there was no advertising, no banners in the city, or in newspapers or on television or in magazines. There was no directions to the fair all the way from the slope of the House not even in the facade of the pavilion Pipa, there was a sign of FAIM or anything. Any person who sought the fair had to guess its location. For the city of Madrid this show did not exist. They say that wine

Minister of Culture, since that also, in my area and we learned. It was a fair

sad, bored and tense because they had normal or specialized public or anything, just friends i family of exhibitors. I had never experienced a failure so loud. An absolutely huge empty space so every day produces an embarrassment and shame of having fallen in the thymus. I had to order invitations for spouses because nobody tried anything. There was for artists or a drink of attention. Only gave me a catalog. The director did not have the slightest contact with me and I think few. Knew who I was because I told a colleague, amazed by watching a cock running ahead of show booth, hair in the wind, looking at nobody. I would like the slightest timely personal courtesy to all artists who were paying their outfits. He had four days to try.

I was coming from Catalonia, I assure you there would not have tolerated such inefficiency, indifference and incompetence ineptitut. It seems that in the capital of the country any idiotic little serious but still plugged unsuspecting idiots can handle more than one hundred professional artists with a high standard. In a few events bring together groups such quality is achieved, although of course this was the merit of artists of independent contributors.

is necessary for the Department of Culture responsible for such disastrous event, right numbers with the director and ask Marta Lueje responsibilities. Multiplying the artists attending the show for the thousands of euros collected, leaving just a scandalous figure.

abuses should not be supported by an institution with public money. I demand the resignation of the director and if there was a next FAIM with the same address, the group of artists concerned would make public such tolerance to fraud by the Ministry of Culture. Rosa

Siré. FAIR

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am a Valencian painter for the first time I participated in this fair. I did look forward to the promised expectations regarding: the exhibition space, media, interesting contacts, number of visitors, much media attention and so much more. nuances that contributed to that I attend, despite finding exaggerated face, calling attention to me and said it was not to be funded ....



I feel squeezed like an orange or lemon for all purposes. What I regret is that the juice from the fruits, collected in the glass of my effort has been "swallowed" by the walls, lights and carpet fair no dynamism, FAIM, far from promoting my work, my effort and spent my money made me feel cheated and deceived (which is not the same.)





Metaphors and complaints aside, FAIM has been:

1)

A showcase without spectators.

2)

wrong place, at that time, for an Art Fair in which to mount objects to display and acquire (if any) were "contingent" some terrible hits.

3)

A significant gap in the media: conspicuous by its absence.

4)

A Fair which has suffered from management approach to also benefit the participating artists: in terms of expectations as originally proposed and received treatment.

5)

The Independent Art Fair of Madrid (FAIM 2006), in which, perhaps, have dominated economic and social interests covered under the lure, again, of the cultural.



I think they should demand accountability through the legal and institutional management of the Director Ms. Marta Lueje. Well, besides the above, this show has been in terms of management "to see that it really does not do."



M ª Jesús Soler Ferrandez.

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ARTISTS cheated

FAIM "THE SCAM" or "scam" to more than 300 artists.
We are a group of professional artists, who have been duped in that
paid fair as a stand resto.Hemos two 3x3 panels,
66m the amount of 1,900 €, lacking or poorly lit signs, one had to
label the artist, although they made no request or event. As the VII
fair thought it would be corrected
failures that could have happened in previous years, but it was not the "scam"
SEEMS TO BE GIVEN EACH YEAR AND THIS IS WHAT YOU CAN NOT CONSENT. This is
because its director, Marta Lueje that
only interested in pocketing the money, do nothing about art, here
shows his lack of ethics and artistic sensibilities made no
news media advertising, no press or radio or access TV.El was bad due to construction,
this was not his fault. but for that reason had to be more signage
to the fair, but was visited by friends of the exhibitors and, among these were sales
but under uncontrolled surveillance is carried
buyers nothing works without declaring it did so
several artists to see how it works and seeing it was so out of
surveillance had to eat there, the bar bad (had vouchers they gave
director who wanted to keep them happy and apparently took
to seafood). It sales can not be controlled
failing to control output if said amounts are lies to propaganda.La
inauguration of the most precarious in every sense, agape painful, and that it was invitation
rigorous for that día.Aparecio the Minister of Culture,
commented that he had been caught in an unscripted, Marta made
photo, without worrying as director were the stands, the carpet detached causing
all falls to the public.
points would be endless ... but not to conclude our aim is to
Marta Lueje not continue to deceive again, give publicity to all these absurdities
there will always be artists who believe in the
Seridan to display their works and it is the duty of all to ensure that this does not happen again
. And before resigning data where is the money of artists and
subenciones all listed in the catalog
only took one per exhibitor.
A. Rueda, F. Teijeiro, N. Tardón, and Myriam Valero Pérez Toledo.

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RESPONSIBILITY TO ASK TO EAT!!

Hello colleagues, did you forget that some cards so that some could go to dinner guests.
I found out by chance and I discuss, as a relief to others. Five minutes later they brought me the invitation which reject and I had lunch in a tent behind my countrymen Pontevedra which was serving all kinds of seafood and ate there. Therefore I was glad.
A most cordial greetings and my accession. RAFAEL NADAL

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wave of discontent

I join the wave of discontent with the organization of the fair FAIM 06, that after relying on an idea so suggestive as to the artists can promote their art independently, with a disbursement important that it was supposed to give the idea of \u200b\u200ball the infrastructure to carry out and develop, disseminate, promote it, etc. and we find chaos amazing for a fair organization now in its 7 th edition.
not like will have been other issues but it is feeling his helplessness in which we were plunged, and despite the enthusiasm and ability of self-organization, this was not the approach: pay for an infrastructure, an organization, dissemination, promotion, toilets, etc ... were not. I agree that it is a full-fledged economic fraud and therefore be claimed that the organization financially. I think good idea to carry out an audit and accordingly take steps to financially compensate the perjidicados. But it is also a scam at all the illusion deposited on an idea that being good a priori, was not carried out with professionalism and seriousness required. Also here should be required responsibilities appropriate to whoever is causing these diseases. Francesc Crespo

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scam artists

Hello friends as an artist totally "ripped off" by the alleged "FAIM Art Fair, which its promoters, directors and everything else that at first seemed a serious regular thing, just giving information that vile minds were cheated by both the behavior of the Sra.Marta Then, after alla us enthralled with the fair that would have greater diffusion than other years, both nationally and internationally and would be fair "according to their estedisticas" a greater percentage of sales and number of people, the answer to all this is, when we took the money by simply giving us face some boards to hang the works and a little catalog and light that if a gift would be the institution as it happens in other fairs
By that I help with this letter and support in conjunction with my colleagues to take some action to show that this does not take the hair artists
Thanks for providing a moment of attention to writing and hope regarding reasonable justice. Balsa Joaquin

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MY PARTICIPATION

PARTICIPATED THIS YEAR FOR THE FIRST TIME IN THE INDEPENDENT ART FAIR MADRID
"FAIM 2006", billed as VII EDITION IN THE HALL OF PIPE
, CASA DE CAMPO DE MADRID. PREPARATION OF APPLICATIONS

, REVENUE, BANK AND BUILDING CURRICULUM FAIR
.

OTHER ARTISTS INCLUDING Xaro PARTNERS HAVE DESCRIBED THE DEVELOPMENT OF
FAIR, SO SOME MORE POETIC OTHER SYNTHETIC AND I WILL NOT INSIST ON THE
Disorganization, lack of attention, BREACH IN THE ALLOCATION OF SPACE
, STRESS TO GET IT MORE NECESSARY.
THE ARTIST HAS RECEIVED A CATALOG CHANGE ONE BY PARTICIPANT.

TO END THE DAYS OF EXPOSURE JOSEP Albert said THE IDEA TO CHANGE THE NAME
"FAIR INDEPENDENT ART "by" ART FAIR to seize "

LAST TIME I DO NOT FEEL Carelessly, I feel cheated.
NOT BELIEVE THAT TODAY IS THE NAME OF THE SHOW WHAT YOU NEED TO CHANGE, CHANGE TO BE THE
that manages and runs FAIR.

LIKE ME KNOW HOW HAS MANAGED THE ADVERTISING, DISTRIBUTION AND PROMOTION OF THE FAIR
, WHICH TELEVISION CHANNELS PUBLIC AND PRIVATE
HAVE BEEN SENT TO NOTICE AND INVITATION, AND WHICH HAS BEEN ANSWER.
WRITTEN MEDIA THAT HAVE BEEN INVITED.
ATTENDED MANY OF THESE AND WHAT WAS YOUR CONTRIBUTION.
VETOED HAVE YOU BEEN A MEANS OR REJECT ANY OFFER OF ADVERTISING
FREE? ADVERTISING
FAIR IS DIRECTLY RELATED TO THE SERVICE, AND IN THIS CASE REDUCED
THE ARTISTS, THEIR FAMILIES AND FRIENDS.

PARTNERS HAVE A FAIR WHEN THE MINISTRY OF CULTURE, THE CITY
Madrid, MADRID, THE COMPANY'S MUNICIPAL FIELD
THE NATIONS INSTITUTE CENTRE OF MONSOON, Agrigento ART, AFRICA BIG FIVE
CHIC TEA SHOP DISSENY SIS, Embassy of South Africa, one feels that
"THIS" IS NOT A "MOVIDA MARGINAL" (with all due respect, some would
TO LEARN HOW TO DO much with so little, and not the reverse) AND IF
THIS WILL AMOUNTS OF METRO EXHIBITION PRICE (3 METERS BY 1900 EUROS) confirmed the non
MARGINAL EVENT.
THESE OFFICIAL PARTNERS MAY NOT REQUIRE THE ACCOUNTS OF SPENT,
HANDLED MONEY OBTAINED WITH A DIFFERENT ARTIST TO SWEAT.
but the artist should be held accountable, complaints and reports
AGENCY PARTNERS. IF THESE INSTANCES
OFFICERS, DO NOT DO THEIR ROLE OF MONITORING AND CONTROL WOULD
CONTRYBUYENDO OR CONSENTING TO THE CONTINUATION OF AN ALLEGED SWINDLE
or misappropriation of public and private funds.

POST AS I AM NOT TOO, WANT TO KNOW IF THE ADDRESS
FAIM IS A LEGAL PERSON, A LIMITED PARTNERSHIP, OR A free-lance.
SUPPOSE THAT IN ANY CASE SHOULD BE CONSOLIDATED OF MANAGEMENT AND BE CLEAR ON INGRASOS
AND EXPENSES THAT IS published a memoir
FINANCIAL EVENT.
OBLIGATION TO DO SO IF THAT IS IN ACCORDANCE WITH ACCOUNTING STANDARDS
and not copy the famous "ACCOUNTS OF GREAT CAPTAIN."
THUS DEMONSTRATED HONESTY FINISH ASSUMPTIONS AND ASSUMPTIONS.

FEEL IF THE PRESUMPTION OF FRAUD OR THAT REPRESENT A PARTY,
(artists) PARTICIPATING IN THE EVENT FAIM,
SHOWS ARE THERE, WOULD BE IN FRONT OF A CRIME AND AS SUCH CAN AND MUST HAVE SOME CRIMINAL CONSEQUENCES
. RICHARD J. BALLESTER

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FAIM 2006 was for me the first fair she attended as a "professional"
in my long and checkered career as an artist. One can understand well the excitement and nerves
with which I loaded my pictures in the car on the fateful OPENING
FAIM.
was excited about showing my work in a forum as large as a
FAIR in Madrid. And I had a lot of enthusiasm for selling my paintings and so
recover the investment made and even get some money back to reinvest in the business
so hard and go in the gap. As you can see it looks like the story
of milk, but so are many artists.


Well all these projects and illusions were turning into
bad omens from the day of the inauguration:
absolute disarray by the "organization" Grossly Inadequate
artists in terms of information, technical assistance in the installation .. ......... In short a
disaster if it were not for the solidarity expressed by all concerned in this cluster
disaster and folly.

The atmosphere that defined the opening
was the general tone for the rest of the fair: poor attention to participants
no advertising, public ignorance therefore, inexcusable delay
the catalog, bad signs at the entrances ,.............
I'm tired of having everything that was wrong.

Therefore, for my part, the balance sheet can not be more negative: A WRONG THING DONE
.

be fair, all adverse situation you can find something positive
: I sold a couple of pictures with which I covered
registration costs, and also made a few friends that day follow him
being. But this fact certainly was not due to "good organization" FAIR
.

The fun times and good friends from the military did not justify its
exstencia It was a mess for everyone. The MILI

spent a hard time in FAIM too. Both were wrong. Javier Sanchez


Toledo, January 15, 2007

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Toad Formula

I'll write my formula Rosiana about everything I felt and thought as I explained in FAIM. I hope you will read many fellow artists FAIM and if you want to add more adjectives or feelings about the show so. I would also like the formula is read by many artists who do not know FAIM to fail to ever undergoes.


FAIM = scam + disappointment + disappointment + impotence + disorganization + Apathy + failure + inequality
+ expensive + anger + insecurity + cold + loneliness + false + hypocrisy + disappointed + dissatisfaction disorientation
+ + resignation + talk +........................ ......................????????????? Alberto Ros

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My support


... yes, I was well ... but it is true that thanks to my contacts, and luckily I live in Madrid, I have friends and took the trouble to get close enough to there, in spite of being quite an ordeal ... as not to go by helicopter ...

totally agree with the lack of advertising. That hurt a lot, not a newspaper, or a cultural review, or supplement, or a wedge on the radio, no mention was made of nothing ... A shame!, especially for a show in Madrid! my people were looking for, and nothing ... no internet!

On behalf of the organization, left a bitter taste. If the Arts promotes the encounter with the impossible .. it is assumed that the places they visit should be magical. And FAIM did everything possible to attract public and media worthy of any opinion.

strange to me that television was only a thematic channel input to exclude everything that is not video-technology ...

best, contacts, among artists, and the effort of each to show the world their way of expressing ...

there goes all my sympathy for my colleagues! Moldovan Anka

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FAIM Edition VII. Misadventures of MY FIRST SAFARI

Once upon a time ... and decided to participate in Safari, if I remember correctly (tend to forget the unpleasant things) called FAIM VII edition.
tansferencia After payment by bank of 1,900 euros 07/24/1906, the contract of an area of \u200b\u200b3x3 m., I left for Madrid on September 27 of this, relax in the hotel who had booked and getting fresh to next day to join the rest of the expedition.

Day 28 September, according to the saints S. Neon ("I'll need light?). The scheduled time of 09.00 h. From the hotel to the point of concentration Pabellon de la Pipa and preventing unpredictable, including the lack of indicators, only two, poorly made, did more kms. that if he had participated in Lemans, but arrive before the scheduled time of appointment. What was my surprise when I report that the doors do not open until 12.00 h. after certain prayers, the opening is achieved, any request please.
Once inside, mid morning and without the presence of Isabel Gemio, another surprise the space he had hired was not such, they offered me a wall of 6m. My installation was set for an angle of 3x3m. but no, had to be the wall of 6m. Time passed and I can not mount and I finally offered to share with other exhibitors 3X6X3 space m. take it or leave it ... and I had to agree because at 18.00 h. according to a note received, had to be all finished and I like to be respectful of the rules, usually.
According to the circular, at 20.00 h. Opening Ceremony? Where Monico or Monicaco (man of bad trace or lesser value, according to the dictionary) would serve a cocktail party for artists and guests in the Cafeteria? Anything you can call "Cafeteria?. My guests and I stayed outside to feel embarrassed, had been the first time to participate in such a vandalism, my education and ethical principles do not allow me to attend events with a lack of protocol.
They told me to attended a Minister and I think it was the truth, those chosen by some people and when they go to places dress in A. Ruiz de la Prada. Sites will be important, because there came along a normal and she was the Director of the Fair, how awful with jeans (not marked) and a print shirt (depending on the Boutique told me EVERYTHING CIEN), clothing (hence recognize it) not take away throughout the Fair and I wonder what would stay overnight in the premises as a security officer? Not ... Luckily my friends took me to dinner at a fantastic restaurant in Madrid. Overwhelmed as a fairground like that!

Day 29 September: saints. Day of the Holy Archangels. Is chance to defend us? I read Exhibitors Circular ... to any incident ... please report to the Stas. Hostess? Would be feeding the executive committee or entertaining the honor roll, out of 15 components that were, at least I only met two gazelles: Harriet West and Monica Santos, which was due to remedying and calming my bad posture , ranging in crescendo at times.
The massive influx of visitors was a show (or someone mistakenly entered), the hostesses alleged invitations were overwhelmed by redeeming vouchers for "a meal." There in the "Restaurant"?, Linen hand-embroidered silk, glass of La Granja, from Dishes Cartuja, ... (that yes, all made in spain) to the service, uniformed and trained in the best hotel and catering schools in the country (each their own). Not to mention the Charter, lined in genuine crocodile skin, good selection of starters and surprises so bold as to decompose the "Fideua Gandia", well, duty court. Luckily we found our seats near the reserve, the Tent of seafood, which was our salvation. At mealtimes, the Fed moved to it.
How serious the situation, which until Hairdresser of the hotel where I stayed, was presented this afternoon with a bag of ice cubes, glasses of "crystal" and our brand of whiskey, an offering that we thanked components of the petitions contained in table installed between two stands of Valencian, according to the Impresentable exact words of the Director of Safari, a curious note, was still without going forward and if he did it on the way to somewhere, he did the opposite wax ?, I recognized it had not yet changed his clothes and thought, my God, if the interior is the same ... or Chanel 5 intervene.
wanted the hour of departure, as I knew, thanks to indications or did not arrive or were lost along the way and arrived late. Dinner at selected sites, were the moments where we thought to get the ecstasy.

Day 30 September: saints, including S. Jeronimo. Is it because the translation? Because there who had not dodged. Leaving the hotel to address the reserve had become a real nightmare, but it kept me thinking that eventually I would have the Director and the curious will have changed is it today? It was now an obsession. After a few hours ... over there appeared the "cebrita" ... disappointment, jeans (no mark) and a print shirt of ALL A HUNDRED. And to think that years ago, I used hair brushes "marta" for my gouaches and watercolors, that fate! now repels them.
During the follow day expedition mates knowing, wonderful people and great professionals, while trying to meet with any camera, ya que estoy habituado a ellas y en TV doy buena imagen, pues no, salian corriendo delante de mi, (solo vi una) ¿no tendrian cinta para grabar? ¿lo tendrian prohibido por la Direccion por ser Valenciano?. En fin, en vista del fracaso, intente buscar las Instalaciones Artisticas, la Sala de Coloquios y Conferencias en las que distintas personalidades relevantes del arte darian sus charlas, las esculturas de hielo, el arte efimero floral, las zonas de prensa especializada,… bueno toda una "HARTA" de mentiras que no vienen a cuento y no entiendo. Solo pude ver y porque estaba frente a mi puesto (de la reserva) y el dia que vino la susodicha Ministra, a un tipo semidesnudo dentro de una jaula, intentando emular a Tarzan, que with a knife (or even a knife) broke a work slowly, allegedly made by him, ... there were waste, because Tarzan went in search of Chita and never heard from him, not even to pick up all waste that were there.

Day October 1: Santa Maxima, among others, can be applied so as not to do? Is that even the Saints was adequate. With great humility, we must continue to request that all you see the store, type camp. Lucia other clothes to feel handsome and thus get lost and any visitor to enter the premises ... nor for that. As the outrage was coming over to me contrary standards (good school, I had in those days), I entered through the head to collect my stuff and get out of there. Thought and deed. A half later I was on the street ... God that feeling, I felt free person. Never at any point in my life, I felt so bad, belittled, humiliated, deceived, cheated, helpless ... and many more adjectives, unfortunately negative. Now I have no. Revistart 112, and the page. Zebra 25, even has the nerve to make some inappropriate statements untimely. Have you no dignity, no shame, nor know DAUGHTER MIA. Shut your mouth and what we have stolen and cheated and stole to subsidies, buy clothes and back out of the hustle and bustle, we will be happier without you.
only wish you long life behind bars if possible. Hope and grace that we want. AMEN.
But I'm a good person, I give you a wish, MARTA Lueje:
May your life be so sensitive and beautiful

Do not know ...

If you live or sleep.

With all my love: Aunion
Vicente Miguel Costa

Aunion